Believe me when I say that it pained me to type out the title to this post. Cameron Crowe is one of my very favorite filmmakers. To me, a guy who can write teenagers who are real people, really capture the full spectrum of human emotion, and incorporate a great soundtrack into his work is a real genius. Though it initially made me feel warm, fuzzy, and hopeful, a recent late night viewing of 2005's Elizabethtown ended up making me a little nervous. I realized that Crowe was just like everybody else. Now, this probably doesn't make sense to those of you who admire his work. As a writer and filmmaker, Crowe definitely has a unique voice and vision that helps his work connect with all kinds of audiences. That's precisely the problem. Last week I wrote a post about how movies are only a reflection of life and not actually true to life itself. In the post, I mentioned that filmmakers are just one person with one perspective, and that is absolutely true of Crowe. In Crow...
It still shocks me when people tell me they no longer go to the movies, but even I was surprised that I went to see a movie twice in one week. Yes, I am no stranger to a repeat trip to the theatre, but Booksmart hit me hard. I very rarely see a new release that rockets to the top of my list of all time favorites. In fact, I don't think it's happened since I saw Whip It 10 years ago. If you haven't yet heard about Booksmart, it's an original, funny, empathetic take on an old classic. Two best friends want to go to a party after four years of a solely academic high school career. What it does differently from movies like Superbad (which I also love, by the way) should and will change the genre forever. The two leads ( Kaitlyn Dever and Beanie Feldstein ) not only land every joke and win you over immediately, but they also communicate the weird and wonderful world of female friendship through their performances in a way I've rarely seen. They don't compete,...