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Showing posts from April, 2016

In Defense of the Trigger Warning

As I sat down in one of my film classes today, my professor did something that surprised me. Before screening Gus Van Sant's Elephant , a film inspired by the 1999 shooting at Columbine, she gave a warning, offering anyone who may be negatively affected by the film because of past trauma the opportunity to watch an alternative film for credit. She continued to warn the class about an upcoming film we would be screening later, mentioning the themes of sexual assault and offering another alternative film to screen. I don't remember when I first started seeing "trigger warning" on the Internet. The tag, most commonly used on sites like Tumblr to warn people of content that contained explicit references to things like drugs, eating disorders, suicide, abuse, and other elements that people who have gone through trauma may find upsetting. Though I never had to stay away from anything with a trigger warning, I definitely understand the value of the phrase. I even put a w

On Making a Movie (in 54 hours)

I have this theory that not a single person on this Earth would say no to the question, "do you want to help make a movie?". I've never met a person who doesn't like movies, and what fan wouldn't want to be a part of something they love? Here's the deal, though: movies are work. Anybody who thinks making a movie is just pointing a camera and playing pretend is so, so wrong. How do I know this? I've done it. This weekend, a friend and I participated in Knoxville's 54 Hour Film Festival, a competition of 5-7 minute films that are made over a weekend. If that time crunch didn't seem daunting enough, we are also given a genre, line, action, prop, and, after 24 hours, curveball element to include in the film. It may sound easy, and, to be honest, I get why it might, but struggling to get schedules together, find locations, write a story, and shoot and edit a piece (and remember to sleep and eat) was definitely a challenge. An awesome challenge.