Skip to main content

On Making a Movie (in 54 hours)

I have this theory that not a single person on this Earth would say no to the question, "do you want to help make a movie?". I've never met a person who doesn't like movies, and what fan wouldn't want to be a part of something they love?

Here's the deal, though: movies are work. Anybody who thinks making a movie is just pointing a camera and playing pretend is so, so wrong. How do I know this? I've done it.

This weekend, a friend and I participated in Knoxville's 54 Hour Film Festival, a competition of 5-7 minute films that are made over a weekend. If that time crunch didn't seem daunting enough, we are also given a genre, line, action, prop, and, after 24 hours, curveball element to include in the film.

It may sound easy, and, to be honest, I get why it might, but struggling to get schedules together, find locations, write a story, and shoot and edit a piece (and remember to sleep and eat) was definitely a challenge. An awesome challenge.

In talking to people about the film, many have asked about the awards it could win, and, while all of that stuff is great, I just think it's cool that we made a movie. It's an accomplishment, and we have something to show for it.

Creative work is definitely hard work. Ask anybody who's ever tried to construct a story or a visual image, and they'll tell you that a lot of time, thought, and energy. We're basically creating things out of thin air. That's why having a finished product, seeing something formed out of nothing, is one of the most rewarding and validating things I think a person can do, no matter what it is or how long it takes.

After 7 hours of prep, 12 hours of shooting, and 10 of editing, we have a five and a half minute film. Of course we hope people will enjoy it, and it would be great to win something, but it exists, and that's the coolest thing of all. I love watching movies, but I love making them even more.

If you'd like to see the film, click here. A little warning: the film includes references to drug use, so if that's not something you're comfortable with, it might not be the best thing to watch.

Comments

Popular posts from this blog

Talking to Myself in the Mirror

I think it's a pretty safe bet that a lot of aspiring actors/writers/directors/filmy people practice their future Oscar speech in the mirror as kids. I did. Who am I kidding? I still do. It comes with the territory. My mirror talks go, ahem, went (who am I kidding? go) further. Sometimes, I do my makeup while talking to Barbara Walters. Other days, brushing my hair turns into a podcast interview. Most of the time, though, I rehearse what I'm going to say to my heroes. These hypothetical moments are incredibly important, and I can't afford to say anything stupid, so car rides, showers, and mornings getting ready are devoted to preparation. This probably makes me sound crazy. The word "narcissist" may also come to mind. I think one of my heroes would have appreciated both the crazy and the narcissism in this bit of oversharing, though, but we lost her this morning. One of my first posts on this blog was a tribute to Carrie Fisher. I read it over this afternoo

Cameron Crowe Ruined My Life

Believe me when I say that it pained me to type out the title to this post. Cameron Crowe is one of my very favorite filmmakers. To me, a guy who can write teenagers who are real people, really capture the full spectrum of human emotion, and incorporate a great soundtrack into his work is a real genius. Though it initially made me feel warm, fuzzy, and hopeful, a recent late night viewing of 2005's Elizabethtown  ended up making me a little nervous. I realized that Crowe was just like everybody else. Now, this probably doesn't make sense to those of you who admire his work. As a writer and filmmaker, Crowe definitely has a unique voice and vision that helps his work connect with all kinds of audiences. That's precisely the problem. Last week I wrote a post about how movies are only a reflection of life and not actually true to life itself. In the post, I mentioned that filmmakers are just one person with one perspective, and that is absolutely true of Crowe. In Crow

The Film List Project #2: MASH

Did you know MASH was a movie before it was a TV show? I didn't. Maybe that's a well-known fact. Maybe I'm very out of the loop. Anyway, I watched MASH this week. I'm just discovering Robert Altman, the director of the film. He made a movie in 1975 called Nashville , which I sort of felt obligated to watch since that's my hometown. I loved the film, especially because it had so many interesting characters mashed together. MASH  charmed me for the same reason. I've never been one for war films (this is set during the Korean War), but I was fascinated by the band of arrogant, witty surgeons in the film. It really didn't feel like a war film, to be honest. It felt like the Korean War was just where they happened to be. That feeling makes sense when you realize that these men and women are just trying to feel that way themselves. I don't have any personal experience with war, but I have read a few books about the subject, fiction and nonfiction, and