Skip to main content

The Film List Project #4: Anatomy of a Murder

in this day and age, with so many books, magazines, blogs and other media covering film, it's easy to read about a film before seeing it. This is especially true of classic films like the ones I've been writing about, many of which I have read so much about over the years that I feel like I have already seen them.

There are other films, however, that people recognize by an iconic image. With  Anatomy of a Murder, the poster immediately popped into my head. I knew nothing of the plot, the actors, or the filmmakers, but the black crude paper cutout of a body that was #1 in Premiere's 25 Best Movie Posters came to mind.

To say this film was influential is an understatement. I didn't realize that, though, until I did some research.

Anatomy of a Murder, about the trial of a man who fatally shot his wife's alleged rapist, plays out to the modern audience like a well-acted, black and white, long episode of Law and Order: SVU. But to an audience 55 years ago, the film's use of words like "rape" is incredibly shocking. James Stewart, the star of the film, offended his father so much with this film that his father took out an ad in the local newspaper telling people not to see the film.

Today, words like "rape" and "panties" are heard every day on the news, and no one worries about it. I felt nothing when I heard the words.

This just goes to show how important it is to know why a film is influential before watching it. Knowing what was going on in the world and in the film industry is essential to understanding influence.

If I hadn't looked at the IMDb page for this film, I wouldn't have known the facts I've been able to use in this post, and I wouldn't have been able to appreciate how this film shaped crime in the media today.

On a lighter note, the music in this film is fantastic. Duke Ellington composed the score and makes a cameo appearence as Pie-Eye. Here's the piece that opens the film:


Comments

Popular posts from this blog

Cameron Crowe Ruined My Life

Believe me when I say that it pained me to type out the title to this post. Cameron Crowe is one of my very favorite filmmakers. To me, a guy who can write teenagers who are real people, really capture the full spectrum of human emotion, and incorporate a great soundtrack into his work is a real genius. Though it initially made me feel warm, fuzzy, and hopeful, a recent late night viewing of 2005's Elizabethtown  ended up making me a little nervous. I realized that Crowe was just like everybody else. Now, this probably doesn't make sense to those of you who admire his work. As a writer and filmmaker, Crowe definitely has a unique voice and vision that helps his work connect with all kinds of audiences. That's precisely the problem. Last week I wrote a post about how movies are only a reflection of life and not actually true to life itself. In the post, I mentioned that filmmakers are just one person with one perspective, and that is absolutely true of Crowe. In Crow...

Talking to Myself in the Mirror

I think it's a pretty safe bet that a lot of aspiring actors/writers/directors/filmy people practice their future Oscar speech in the mirror as kids. I did. Who am I kidding? I still do. It comes with the territory. My mirror talks go, ahem, went (who am I kidding? go) further. Sometimes, I do my makeup while talking to Barbara Walters. Other days, brushing my hair turns into a podcast interview. Most of the time, though, I rehearse what I'm going to say to my heroes. These hypothetical moments are incredibly important, and I can't afford to say anything stupid, so car rides, showers, and mornings getting ready are devoted to preparation. This probably makes me sound crazy. The word "narcissist" may also come to mind. I think one of my heroes would have appreciated both the crazy and the narcissism in this bit of oversharing, though, but we lost her this morning. One of my first posts on this blog was a tribute to Carrie Fisher. I read it over this afternoo...

Okay, Oprah: Or, a Pat on the Back and a Push Forward

I didn’t watch the Golden Globes this year. In fact, the closest I got to Oprah Winfrey was when a customer at the Starbucks I work in forgot we no longer sold her chai tea and ordered a “dirty Oprah” by mistake. Still, I was told about the speech . And I watched it. And I, like so many others, was moved by her words.  It made me irritated, too. Here’s the thing: it’s incredible that Oprah stands with women who are oppressed, abused, assaulted, and silenced. Beyond incredible. She spoke with a characteristic eloquence that made people aware and gave people hope in a way so many of us need right now. However, we cannot deny that she had the opportunity to speak those words on such a public stage because she is   Oprah . She’s one of the most powerful women in the world. I don’t think the irony is lost on anyone that the network that she owns is, well, OWN. We think Oprah, we think mogul, renaissance woman, icon, boss. The woman doesn’t need her last name anymore (or,...