Skip to main content

The Film List Project Week #11: Battleship Potemkin

So this movie is totally holiday appropriate. Not.

I have to admit something. This is the first movie I've watched for the blog that I've not totally understood. And that's okay. I'm not going to understand every movie I watch after one viewing. This may be one I revisit and come back to later.

I will say that Battleship Potemkin, a 1925 silent Soviet propaganda film by Sergei Eisenstein, was fascinating to me.

I've discovered over the last few months that I really enjoy silent films. Granted, the others I've seen are works by Buster Keaton and Charles Chaplin with a very different tone than Potemkin, but I still think the absence of sound can amplify the message of a film.

A silent film also relies on music, which I love. Though the musical score usually changes over time, any score with a silent film really makes the audience remember why music is important to a film's message.

What I did get out of this film about mutiny and massacre was a message of the importance of both a group of people and an individual. A small group can sway a larger one to its way of thinking, and an individual is needed not only to be the voice in a crowd, but also to represent the humanity of an issue.

A scene in the film in which a mother carries her injured son up the Odessa steps and toward the shooting imperial guards shows the bravery and unconditional love of a mother. That's one of the greatest things about film: while you may be lost in the crowd in real life, on film you get highlight one person in that crowd, eliciting a powerful, emotional response from the audience.

In honor of Christmas, I'm going to try and watch a couple of lighthearted movies next week (hopefully). Stay tuned...

Comments

Popular posts from this blog

Cameron Crowe Ruined My Life

Believe me when I say that it pained me to type out the title to this post. Cameron Crowe is one of my very favorite filmmakers. To me, a guy who can write teenagers who are real people, really capture the full spectrum of human emotion, and incorporate a great soundtrack into his work is a real genius. Though it initially made me feel warm, fuzzy, and hopeful, a recent late night viewing of 2005's Elizabethtown  ended up making me a little nervous. I realized that Crowe was just like everybody else. Now, this probably doesn't make sense to those of you who admire his work. As a writer and filmmaker, Crowe definitely has a unique voice and vision that helps his work connect with all kinds of audiences. That's precisely the problem. Last week I wrote a post about how movies are only a reflection of life and not actually true to life itself. In the post, I mentioned that filmmakers are just one person with one perspective, and that is absolutely true of Crowe. In Crow...

Okay, Oprah: Or, a Pat on the Back and a Push Forward

I didn’t watch the Golden Globes this year. In fact, the closest I got to Oprah Winfrey was when a customer at the Starbucks I work in forgot we no longer sold her chai tea and ordered a “dirty Oprah” by mistake. Still, I was told about the speech . And I watched it. And I, like so many others, was moved by her words.  It made me irritated, too. Here’s the thing: it’s incredible that Oprah stands with women who are oppressed, abused, assaulted, and silenced. Beyond incredible. She spoke with a characteristic eloquence that made people aware and gave people hope in a way so many of us need right now. However, we cannot deny that she had the opportunity to speak those words on such a public stage because she is   Oprah . She’s one of the most powerful women in the world. I don’t think the irony is lost on anyone that the network that she owns is, well, OWN. We think Oprah, we think mogul, renaissance woman, icon, boss. The woman doesn’t need her last name anymore (or,...

Be Smart

It still shocks me when people tell me they no longer go to the movies, but even I was surprised that I went to see a movie twice in one week. Yes, I am no stranger to a repeat trip to the theatre, but  Booksmart  hit me hard. I very rarely see a new release that rockets to the top of my list of all time favorites. In fact, I don't think it's happened since I saw Whip It  10 years ago. If you haven't yet heard about Booksmart, it's an original, funny, empathetic take on an old classic. Two best friends want to go to a party after four years of a solely academic high school career. What it does differently from movies like Superbad (which I also love, by the way) should and will change the genre forever. The two leads ( Kaitlyn Dever and Beanie Feldstein ) not only land every joke and win you over immediately, but they also communicate the weird and wonderful world of female friendship through their performances in a way I've rarely seen. They don't compete,...