Skip to main content

The Film List Project Week #11: Battleship Potemkin

So this movie is totally holiday appropriate. Not.

I have to admit something. This is the first movie I've watched for the blog that I've not totally understood. And that's okay. I'm not going to understand every movie I watch after one viewing. This may be one I revisit and come back to later.

I will say that Battleship Potemkin, a 1925 silent Soviet propaganda film by Sergei Eisenstein, was fascinating to me.

I've discovered over the last few months that I really enjoy silent films. Granted, the others I've seen are works by Buster Keaton and Charles Chaplin with a very different tone than Potemkin, but I still think the absence of sound can amplify the message of a film.

A silent film also relies on music, which I love. Though the musical score usually changes over time, any score with a silent film really makes the audience remember why music is important to a film's message.

What I did get out of this film about mutiny and massacre was a message of the importance of both a group of people and an individual. A small group can sway a larger one to its way of thinking, and an individual is needed not only to be the voice in a crowd, but also to represent the humanity of an issue.

A scene in the film in which a mother carries her injured son up the Odessa steps and toward the shooting imperial guards shows the bravery and unconditional love of a mother. That's one of the greatest things about film: while you may be lost in the crowd in real life, on film you get highlight one person in that crowd, eliciting a powerful, emotional response from the audience.

In honor of Christmas, I'm going to try and watch a couple of lighthearted movies next week (hopefully). Stay tuned...

Comments

Popular posts from this blog

Cameron Crowe Ruined My Life

Believe me when I say that it pained me to type out the title to this post. Cameron Crowe is one of my very favorite filmmakers. To me, a guy who can write teenagers who are real people, really capture the full spectrum of human emotion, and incorporate a great soundtrack into his work is a real genius. Though it initially made me feel warm, fuzzy, and hopeful, a recent late night viewing of 2005's Elizabethtown  ended up making me a little nervous. I realized that Crowe was just like everybody else. Now, this probably doesn't make sense to those of you who admire his work. As a writer and filmmaker, Crowe definitely has a unique voice and vision that helps his work connect with all kinds of audiences. That's precisely the problem. Last week I wrote a post about how movies are only a reflection of life and not actually true to life itself. In the post, I mentioned that filmmakers are just one person with one perspective, and that is absolutely true of Crowe. In Crow...

Talking to Myself in the Mirror

I think it's a pretty safe bet that a lot of aspiring actors/writers/directors/filmy people practice their future Oscar speech in the mirror as kids. I did. Who am I kidding? I still do. It comes with the territory. My mirror talks go, ahem, went (who am I kidding? go) further. Sometimes, I do my makeup while talking to Barbara Walters. Other days, brushing my hair turns into a podcast interview. Most of the time, though, I rehearse what I'm going to say to my heroes. These hypothetical moments are incredibly important, and I can't afford to say anything stupid, so car rides, showers, and mornings getting ready are devoted to preparation. This probably makes me sound crazy. The word "narcissist" may also come to mind. I think one of my heroes would have appreciated both the crazy and the narcissism in this bit of oversharing, though, but we lost her this morning. One of my first posts on this blog was a tribute to Carrie Fisher. I read it over this afternoo...

Okay, Oprah: Or, a Pat on the Back and a Push Forward

I didn’t watch the Golden Globes this year. In fact, the closest I got to Oprah Winfrey was when a customer at the Starbucks I work in forgot we no longer sold her chai tea and ordered a “dirty Oprah” by mistake. Still, I was told about the speech . And I watched it. And I, like so many others, was moved by her words.  It made me irritated, too. Here’s the thing: it’s incredible that Oprah stands with women who are oppressed, abused, assaulted, and silenced. Beyond incredible. She spoke with a characteristic eloquence that made people aware and gave people hope in a way so many of us need right now. However, we cannot deny that she had the opportunity to speak those words on such a public stage because she is   Oprah . She’s one of the most powerful women in the world. I don’t think the irony is lost on anyone that the network that she owns is, well, OWN. We think Oprah, we think mogul, renaissance woman, icon, boss. The woman doesn’t need her last name anymore (or,...